“Framing” Kandinsky’s Painting with Red Spot (1914)

نویسندگان

چکیده

In contemporary museum studies discourse, scholars have begun to reexamine both the role of curator and exhibition space in their joint effect on visitor experience. Underpinning relationship these three parties is element language, or more commonly known within this discipline, wall label. This label intrinsically “frames” its adjacent artwork as it proposes a certain narrative, one that crafted by curators communicates ideas themes deemed important writers. However, what about art eludes singular interpretation, such abstraction? Could proposing an exclusive narrative be detrimental multiplicity meaning abstract promotes? 
 Considering issues, paper examines Painting with Red Spot (1914) Wassily Kandinsky current “framing” at Centre Pompidou Paris analyze between abstraction making, complicated artist intent accompanies exhibiting Kandinsky. argues Kandinsky’s P.W.R.S relation artist’s contradictory embrace kitsch 1914 will provide framework for his stylistic experiments time career, offering proper stepping-stones encourage contemplation while still leaving room meaning.

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ژورنال

عنوان ژورنال: Athanor

سال: 2022

ISSN: ['2690-0181', '0732-1619']

DOI: https://doi.org/10.33009/fsu_athanor131134